[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern"][vc_column][vc_single_image image="913" img_size="large" alignment="center" style="vc_box_shadow" qode_css_animation=""][vc_column_text]What is the Absolute? To define it would be to neutralise it as an Absolute, to demarcate and circumscribe it in words, reason and concepts. The German word “concept” (Begriff), argues Karolin Mirzakhan...
[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern"][vc_column][vc_column_text] Nishida Kitarō, Opere di Kitarō Nishida (Milano: Mimesis, 2017–) The first systematic attempt to publish an Italian translation of the works of Nishida Kitarō (西田幾多郎, 1870–1945) was launched in 2017 by the Milano-based publisher Mimesis in collaboration with Enrico Fongaro...
[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern"][vc_column][vc_single_image image="511" img_size="large" alignment="center" style="vc_box_shadow" qode_css_animation=""][vc_column_text]Marcello Ghilardi, Associate Professor of Aesthetics at the University of Padua, published Emptiness, Form, Otherness (Il vuoto, le forme, l’altro) in late 2014. he work under review here is a second revised and expanded...